what’s original -- a working definition

Any art we seriously consider ought to be original, but what does that mean? Direct from the source and not a copy is the simple notion, but it’s a bigger word, not necessarily with different meanings but it extends, becomes narrower and more specific when applied to individual works of art. It’s a term that’s used both for the making and for the creative inspiration behind it, although for some artists these are inseparable. Made by hand has been the traditional first qualifier, and it still counts for a lot, even though these days computers and inkjet printers claim legitimacy as well. Mostly the notion of original has to do with thought process, the amalgam of cultural milieu and personal character that shapes the art, a formula that has varied throughout history.

These days when the individual is exalted as free and capable of maxing-out their own personal potential, art becomes a token of that ideal, the expression of humanity unbounded by financial obligation, rush-hour twice-a-days, and the many layered expectations of others, churches, bosses, and family, that hold us captive, that limit our freedom. Many find in art an example of accomplishment for its own sake, a voice unsullied by crass commercialism, unlashed from the wheel, available to be bought, hung on the wall and seen everyday. In a world of the manufactured, everything molded and extruded, simply owning something truly unique and inherently valuable offers a singular satisfaction, and works of art serve as an enduring anchorage for personal identity and serve as a touchstone of self-possession.

Original works of art contains mental nutrients that open vision and lubricate thought. The dedication and intent needed to forge the image radiate back into the room to influence and enhance the lives of occupants, yes it’s true, an effect that builds over time. Too bad if this sounds like science fiction, romantic and strange, perhaps you’ve taken a wrong turn. If the term original, to you, means something novel brought to market, some monographic replicated icon with track record and celebrity collectors, that’s a few doors down. Here we treat art as active in itself, as a means to help navigate the oncoming rush of sensation that makes our world, a message in a bottle, a recollection of the humanity we share. It’s organic, the artist doesn’t plan it, but successful art has an overtone of meaning which transforms with time into an intimate familiarity, while projecting an unique presence each time it’s seen.