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Thursday, September 29, 2011

did painting die?

So I hear that painting is an obsolete form and nobody does it that way, any more. Art has branched out, explored new territory and now can be anything. Just call it art and digitalized or hot-glued, it’s art. Actually though, really, it’s sorta all the same. It’s pretty much gotten necessary to know if the artist is just a student or hugely famous before it’s possible to tell if it’s, whatever, any good or not.

Not so long ago, actually half a century, popular music was squeezed through the taste lowering filter of commercial radio and the product wasn’t the best. An ever aggressive market had manipulated soulless technology to demean the public taste for financial advantage. Well, it might have gone on forever but along came Bob Dylan, and everything changed. The public discovered it liked being taken seriously.

The form he chose to cut through the ‘wall of sound’ recordings of the high-powered studios wasn’t just old fashioned – it was ancient. The tradition of troubadours, from Homer down through the middle ages, had almost withered away when young Bob started perform using only his own instrument and voice. Somehow he was heard through all that well established media machinery using simple tools, being direct, commandeering a commercialized, trivialized medium to speak mind to mind.

So, all I’m saying is painting has been around a while, too. Painting in oils gave artists the ability to create a field of believability potent enough to transfer thought and emotion in a stable and enduring form, and that unique feature of visual art has more value now in an increasingly temporary reality. Painting didn’t die. Painting was sick and neglected but is starting to recover now. A serious painting stands as a beacon on a rock when the digital sea is blowing whitecaps and we find ourselves drowning in froth, just as any original art at all can be a life preserver.

Wednesday, September 21, 2011

has art been undervalued?

If the nutrition could be drained out of food and be replaced with some sort of vegetable/animal dreck from stainless steel holding tanks, would it be offered to the masses as food, and would they eat it? Yes, they would for a while, but they’d catch on. They’d see themselves turning to lard and start demanding green stuff, a calorie count on the menu, and fewer “additives” all around. It’s happening now.

If those same commercial wizards could siphon off the humanity, the ingenuity, the art in art, and replace it with brand-name shoddy sensationalism, reducing art in the process to a game token, a trading card, a sideshow entertainment, would they? Oh, they’d try -- lowering everyone’s gaze by demeaning their aspirations and their expectations of themselves, reducing their sole expressions of self to the right brand of beer. For them art becomes a souless commodity without a face or content, just a name, just an autograph to be traded up or down, an empty beachhead for phony conversation.

That's too bad because we could use something better. Does anyone else feel themselves in the tow of a sucking vortex of occupational dementia, reducing thoughts to emoticons, chewing through the attention span, turning everything grey making everything taste the same? Are we going to just keep turning up the volume? If we could see ourselves as our perceptual interfaces with the world, we wouldn’t be fat – we’d be skinny, skinny and pale. Perceptually speaking, we’re hardly here at all – media-impaired zombies flickering as we walk. Does art cure it? Well, no, doesn’t cure, just provides the vitamins to fight back, the exercise to lift our heads, and it scrapes the scales from our eyes so we can see.