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Saturday, September 4, 2010

actual censorship

Where is the art you don’t get to see, haven’t had a chance to own, that will probably never be made? It’s been censored. No, not because it was obscene or unwholesome, heavens no, but because it was accessible, direct, and might appeal to the general public. The very people we hire with our tax dollars to decide what art is worthy of our notice have been hanging out a carrot on a string, getting a free ride, and the donkey has been us. They do this by staying slightly ahead of the curve, out toward the cutting edge, and if too many people start to like it, they move on. They sponsor a stable of artists who would be completely unsustainable on an open market, and promote them as being superior to artists who might be able to support themselves if they had access to the galleries, the grants and prizes, the press attention currently monopolized by the non-profits, the universities, and all other entities supported with public money and not by the dissemination of art.

They exert control through blatant censorship and call it being progressive, contemporary, and not limited to the narrow provincialism of the people who buy their lunch. Oh, they pretend to promote art, but artists don’t thrive in their communities. They’ve made art an amputee in everyone’s hometown, a sacrifice to charitable events, and expect artists to decorate various street utilities around the town for degrading pittances. Maybe that’s not the visibility for art we need. Original art direct from the hand of an artist who has something to say about the world, has acquired the ability to say it, and who wants to find common ground with the viewer, might appeal to a lot of people. It might supply something they’ve felt missing in their lives, given the chance. Let’s give it a chance.

Instead of handing over your money to some guilt-driven fund drive, for which you receive nothing but the assurance they’ll be back for even more next year, buy a piece of art from a local artist you like, and hang it where you’ll see it every day. Simple as that.

Wednesday, September 1, 2010

artists are stuck

Artists are stuck in menial jobs all around you. They started out devoting their main efforts to making art, and tried to earn a living with what was left. This technique, known as “earning a living with the left hand”, has been a common device of long tradition among artists. Some bail pretty quickly, finding sustenance with diminished aspirations in advertising, if blessed with degrees they teach, and still others dive into the state-funded, non-profit art apparatus where they crush the dreams of others for meager but regular pay. They most all flirted with the notion of life as an artist early on, but sensed the butter was on the other side.

Some artists took up a manual trade, figuring they’d be tired but could save their mind for reading and thinking about art. “Just another construction worker with an art degree” the last time I saw a friend. Some became cooks, clerks in art supply stores, whatever it was, they went home and made art, at least they did in the beginning. Soon they found the wide-open territory of visual expression was narrow and restricted, after all. Their straight-ahead sincerity was casually dismissed by academics who favor the stylish offhandedness of art made on a salary -- derivative, contrived, good enough to get paid.

They found the cost of studio space, the equipment they needed, the stuff to make art – canvas, paint, brushes are all bought at the sacrifice of everything else beyond bare necessities, when earning a living with the left hand. If they wanted the companionship of another person, that person had to make all the same sacrifices – a lot to ask. So, most of them gave up – see previous post ‘upside down’. They’re out there now, cranking out some semi-functional craft, stuck in some meaningless job, defensive and self-conscious around professional siblings at Thanksgiving. But they aren’t the hurting ones……..

It’s you, and all your fellow citizens – new houses, endless floor plans, neutral colored walls to the horizon, and what are you putting on them? Tired animal prints, florals to pick up some color from the drapes? You’ve been robbed. All the art those people would have made, if your local art authorities had not closed doors in their faces, isn’t there. The living they might have made, not as flamboyant international celebrities, but as respected contributors to community life and well-being has been diminished, diverted, didn’t happen, and they aren’t the only ones poorer.