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Wednesday, June 29, 2016

critic inside -- art's chemistry

Buying and selling art in galleries has nothing to do with art, I’ve concluded. What’s on the block is consensus approval, credentialed affirmation, all packaged and delivered in the slickly coded language of social ascension. For the market ‘good art’ has made its way into corporate collections, has been widely exhibited domestically and internationally, has won awards, garnered press, and when owned becomes an indication of sophistication and in-crowd awareness. Really? Is that all you’ve got, a stack of documents to close the sale? It’s understandable, even practical, since there’s no way to tell visually if the thing your looking at was painted by a farm animal, some plucky amateur, or a certified genius going to cost you millions. To give up the cash you’re going to need some sort of notarization.

All that paper is like homework. It’s the artwork itself we’d rather discuss, in terms that apply to all art no matter its style. What makes this thing, in this example something flat against the wall, worth more than all the furniture in the room? Original art has presence, and unlike other possessions, continues to appear fresh in the mind through the years. It’s of a different order than all the manufactured stuff, and has this unusual quality for a couple of reasons. The artist gave their best effort, part of the unwritten bargain they’ve made, imparting a quality that looks like honesty at any level. The art, itself, endures, and becomes a presence indeed when all the furniture has been worn out and changed, when households have moved to different cities, and when people have lived their lives in front of it. 


Better art does all this better, but there isn’t any way to quantify it, to grade it for market. That’s why it’s all so crazy out there -- see two hundred previous posts. Well it’s science to the rescue, finding the answer in a recent study with old people, love the old people. They took brain scans before and after having them look at art, and the blue chemical makes you sadder while the red one makes you feel elated. Well, the brain map lit up with the good one when they saw art they liked, or was it the other way around, no matter. Turns out there’s a critic ‘inside,’ a bit more reasonable and reliable than a ticket punched report card when it comes to recognizing what’s worthy in art. This app was part of your original package, becomes activated by looking at original art wherever found, and comes online when the consensus-driven art industry is ignored, forgotten. Listen to your brain.

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